“Lutheran Substation”
"Lutheran Substation"
by Gregory J. Rose
2025, Mixed Media On Panel, 24“x24”
A structurally dense abstraction composed of vertical bars, gridded fields, and charged linear conduits layered across a pale ground. Exhibited in the Dauntless Indignant Geography Solo Exhibition at NE SCULPTURE | Gallery Factory. Unframed. Certificate of Authenticity included.
Collector Snapshot
Lutheran Substation functions as a visual koan centered on nourishment, toxicity, and survival within hostile systems. Inspired by the question, “If the food is poison, why does it still nourish?”, the work confronts the paradox of growth formed through harm, endurance shaped by pressure, and strength forged within contradiction.
Within the Dauntless Indignant Geography Series, Lutheran Substation maps spiritual, physical, and infrastructural tension through a language of repeated structure and interrupted flow. The painting draws from lived experience, generational resilience, and the unseen networks that transmit both damage and sustenance. For collectors, this exhibited work offers a rigorous meditation on how survival persists even when conditions are corrosive.
Artwork &
Acquisition Details
-
High Growth
This work demonstrates strong growth indicators through its exhibition provenance, its alignment with a pivotal moment in Gregory’s development, and its position within a cohesive series with limited availability and increasing collector interest.
-
One of One Original
This is the only version of this artwork. No editions exist. The artist will contact the collector directly to coordinate delivery or domestic insured shipping. -
Retail Price: $4,800
Unframed
Framing recommendations available upon request. Local installation support offered.
-
Available Until Sold
Standard acquisition timeline applies. Gregory will reach out within three to five business days to coordinate insured domestic shipping or local delivery.
-
Signature Masterwork Tier
The strength of the series’ exhibition visibility, paired with the depth of structural language present in this work, positions it as a defining example of Gregory’s mature mixed media practice.
Artwork Details
Inspired by the Koan:
“If the food is poison, why does it still nourish?”
Poem written by the artist:
“Boy I will be on you—like white on rice”!
You can get cut—rolling dice.
Minnesota nice.
He’s a black cat.
Lone wolf no pack—
But known by all including the hustler, pimps and thieves.
He has had more than 9 lives.
A holy trinity—
It’s by 3’s.
Blessed, looked over, born again
And deceased.
Chicken
Grease.
Caged in philosophical warfare
Yet the seeds were planted.
Tears watered the land.
Boxer fracture of the right hand.
Kissed of frozen ground
Fist a cuff in the smoke cloud rings
Out his mouth.
He gave himself to the journey long ago.
While his dad on Sundays
put bullet holes in
Targets at—range.
How do I explain
Spiritual loss—
Physical gains.
It’s all a part of the game.
Full Description
Lutheran Substation presents a layered field of vertical bars, segmented grids, and intersecting linework that evoke infrastructure under constant load. Muted olive and mustard forms repeat across the surface, while electric pink passages bleed and drip through the composition, softening its rigid geometry. Blue structural blocks anchor the lower register, while black linear gestures move through the field like conduits carrying energy between fractured systems.
The surface reveals accumulation, revision, and compression, mirroring the experience of navigating environments where nourishment and danger coexist. Structure becomes both shelter and constraint, and repetition becomes a means of persistence. The work reads as a map of endurance, where survival is transmitted through damaged but functioning networks.
Authentication
Certificate of Authenticity included
Digital documentation provided
Hidden signature within the composition
Artist signature on the back
Provenance
Dauntless Indignant Geography Solo Exhibition
This artwork was featured in Gregory’s 2025 solo exhibition at NE SCULPTURE | Gallery Factory, a gallery centered on supporting emerging and mid-career contemporary artists. The exhibition explored internal geographies and the reconstruction of personal terrain through mixed media abstraction. After the exhibition concluded, the artwork returned to the artist’s studio collection.
Shipping & Insurance Info
Nationwide United States shipping
Fully insured packing and transport
Local delivery available
Installation support offered
Gregory coordinates all logistics within three to five business days
Market Relevance
Gregory’s market continues to strengthen across exhibitions, public placements, and institutional acquisition. Mid-to-large scale mixed media works (24”–36”) have achieved documented sales between $1,400 and $3,500 in recent years, including acquisition by both private collectors and institutional buyers.
Comparable works within this size category moved from $1,400 (2024) to $3,500 (2024 peak sale), reflecting sustained demand for structured, high-impact compositions within this scale. “Lutheran Substation” is positioned within this established and recently validated market range.
Comparable Sales
“Red Balloon” — 24x24 inches, Mixed Media on Panel
Sold for $1,400 in 2024
“Jeckyll and Hyde” — 36x48 inches, Mixed Media on Panel
Sold for $3,500 in 2024
“The Bird” — 36x48 inches, Mixed Media on Panel
Sold for $3,500 in 2024
Artist Market Position
Gregory is an established regional artist with national reach, with works in private, public, and academic collections. His continued exhibition activity, growing catalog, and expanding licensing partnerships bolster collector confidence. Exhibited works such as Lutheran Substation represent the most current evolution of his practice and hold strong relevance for long-term collectors of contemporary abstraction.
Price Growth of Mixed Media Works
“Lutheran Substation reframes survival as a system that continues to function despite damage, contradiction, and strain.
Through layered structure, interrupted flow, and charged passages of color, the work visualizes how nourishment can emerge from toxic conditions and how resilience is built within compromised frameworks. As part of the Dauntless Indignant Geography Series, it affirms endurance not as purity, but as persistence.”
— Quote Source
Terms of Sale
Secure payment options
This artwork is sold through a secure Flodesk checkout, which allows buyers to pay via credit card or digital payment methods. All transactions are encrypted and processed securely. Invoice options are available upon request.
Returns
All sales are final. No returns or exchanges are accepted for original artwork. This policy ensures proper stewardship and authenticity for collectors.
Ownership transfer / documentation
Upon purchase, the collector receives:
• A Certificate of Authenticity
• A digital ownership document via email
• A signed confirmation of sale
• Shipping or installation coordination within 3–5 business days
Copyright & Usage Rights
Purchase of this artwork transfers ownership of the physical object only. All copyrights and reproduction rights remain the sole property of the artist, Gregory J. Rose.
The collector may not reproduce, distribute, license, modify, or commercially exploit the artwork in any form without prior written permission from the artist. This includes, but is not limited to, prints, digital reproductions, merchandise, NFTs, or commercial media usage.
The artist retains the right to reproduce the artwork for portfolio use, exhibitions, publications, marketing, and archival documentation.
View The Entire Dauntless Indignant Geography Series Collection
